Understanding the Relationship Between Frame Rate and Bitrate
When working with digital video, understanding the mathematical relationship between Frame Rate, Resolution, and Bitrate is crucial for ensuring hardware compatibility. Whether you are setting up a professional broadcast workflow, configuring HDMI/SDI infrastructure, or estimating storage needs for raw footage, the data rate is the defining constraint.
How Frame Rate Impacts Data Rate
Video is essentially a sequence of still images played in rapid succession. The Frame Rate (measured in Frames Per Second or FPS) determines how many distinct images are displayed every second.
Mathematically, the required bandwidth scales linearly with the frame rate. If you double your frame rate from 30 FPS to 60 FPS, your uncompressed data rate doubles. This is why high-frame-rate (HFR) recording requires significantly faster storage media (like NVMe SSDs or CFexpress cards) and higher bandwidth cables (like HDMI 2.1 or 12G-SDI).
The Uncompressed Video Formula
To calculate the raw, uncompressed data rate of a video signal, we use the following physics-based formula:
Data Rate (bits/sec) = Width × Height × FPS × Bit Depth × Channel Factor
Width × Height: The total number of pixels per frame.
FPS: The frequency of frames.
Bit Depth: The color precision per channel (e.g., 8-bit, 10-bit).
Channel Factor: determined by Chroma Subsampling.
RGB / 4:4:4: Factor of 3 (Full data for Red, Green, and Blue).
4:2:2: Factor of 2 (Luma is full, Chroma is halved horizontally).
4:2:0: Factor of 1.5 (Luma is full, Chroma is halved horizontally and vertically).
Bandwidth vs. Storage
This calculator determines the Uncompressed Bandwidth. This figure is critical for:
Cabling: Determining if you need HDMI 2.0 (18 Gbps) vs HDMI 2.1 (48 Gbps).
Live Production: Sizing network switches for Video over IP (ST 2110 or NDI).
Hardware Interface: Ensuring your capture card supports the incoming data stream.
A Note on Compressed Codecs
Most cameras and streaming platforms use compression (codecs like H.264, HEVC, or ProRes). Compressed video breaks the direct mathematical link between resolution/FPS and bitrate, relying instead on a "Target Bitrate." However, the uncompressed calculation provided here represents the maximum theoretical limit of the signal before it enters the encoder, often referred to as the "baseband" video signal.